DIOGENE BIVACCOURBANO - Call for ApplicationsDate added: April 22nd, 2008DIOGENE URBANBIVOUAC The programme is intended for international artists with the aim of experimenting a brand new method of close examination of the artist’s work and of his/her role in the society. Application avaliable on line info@diogenebivaccourbano.it * * * Sara Rossi - Incontri D’Autore, Torino - 11 maggio 2008Date added: April 22nd, 2008
Event: Incontri D’Autore “La Bellezza vista nella differenza” (Beauty as seen in difference). A confrontation between images and texts of the projects “Acrobazie” (Acrobacies) and “Follie Italiane” (Italian Folies). Speakers: Giovanni Foresti, Psychiatrist, Director of Centro Fatebenefratelli of San Colombano (MI) * * * Mile of Paper curated by Ruth Bianco - MaltaDate added: April 18th, 2008Venue: Galleries of the National Museum of Fine Arts, Valletta, Malta Mile of Paper is a group show of bookworks created by the current artist-researchers pursuing their MA/MFA in Fine Art and some of the main tutors on the programme at the University College for the Creative Arts, Kent, UK. This installation of long accordion bookworks will be spread throughout the existing painting galleries of the National Museum of Fine Arts in Valletta. This project is curated by Ruth Bianco, and is special in its inspiration from the Duchampian gallery intervention entitled Mile of String of 1942 in New York. Mile of Paper * * * Contemporary Art Festival, Faenza - 1st edition 2008Date added: April 17th, 2008
Event: FUTURO PRESENT/PRESENT CONTINUOUS// Three days will be dedicated to the near future of contemporary art, as told by curators, artists and professionals. With an innovative format, Futuro Presente / Present Continuous was founded as a result of the need to revive the voice of contemporary art. present-continuous_en.pdf * * * Karin Kihlberg & Reuben Henry at Galleri VERKLIGHETEN, in Umeå, SwedenDate added: April 2nd, 2008Events: Karin Kihlberg & Reuben Henry’s first solo show in Sweden will open with Performance #3 - Performance at Verklighetens gårdshus Friday 4 April, 7pm - Artist talk Tuesday 8 April, 7pm Karin Kihlberg & Reuben Henry’s first solo show in Sweden will open with Performance #3, which will be performed live in the gallery space together with audience members who will become an essential part of the work. Working with video, performance and collaboration with audiences, Kihlberg & Henry create situations with an in-built mechanism to create videos that depict a significantly different scene from the performative situations in which they were created. Exhibition supported by: * * * Il pittore e il pesce - Manuele Cerutti, Erica Fenaroli, Sara RossiDate added: April 1st, 2008
Curated by: Bruno Lorini and Giulio Mozzi * * * MiArt, Milano - 4 - 7 April 2008Date added: March 17th, 2008
Inauguration: 3 April 2008 Special project, Bourgeois Plaisir curated by Milovan Farronato Artists presented: Manuele Cerutti, Radu Comsa, Erica Fenaroli, Giorgio Guidi, Ethan Hayes-Chute, Mike Johnston, Stefan Kraus, Sara Rossi, Eli Stertz, Toba Toba, Chiara Zizioli+Alessandro Lorenzini * * * Il pittore e il pesce - Manuele Cerutti, Erica Fenaroli, Sara RossiDate added: February 26th, 2008Curated by: Bruno Lorini and Giulio Mozzi
Carlo Dalcielo, a yong artist created by the painter Bruno Lorini and by the writer Giulio Mozzi, read Raymond Carver’s poem “The Painter and the Fish” and made a 55 frame storyboard from it. These 55 frames were described in words and 55 artists were invited to each create a work of one of the frames: every artist received the text of the poem and the description of the only frame assigned to him/her, free to execute it in their own manner and interpretation. www.ilpittoreeilpesce.wordpress.com * * * Clement Page - solo exhibition, Berlin, GermanyDate added: February 25th, 2008
Event: Crypto-phobia – New Painting & Film In his first exhibition in Berlin Clement Page confronts us with enigmatic images exploring human phobia. CRYPTOPHOBIA unites Page’s film »Turned to Stone« (2006) and brand new large black & white watercolours. In his film the psychological disturbance of vision known as »Photophobia« or »Fear of Light« is explored. The paintings are part of an ongoing series which explore Sigmund Freud’s case history: »The Wolfman, from the History of an Infantile Neurosis«. This case of an enigmatic Russian boy bewitched by a severe phobia of animals (wolves in particular), has haunted psycho-analysis ever since its publication in 1914. The case centres around a series of cryptic images which conceal and reveal one another’s meaning in an endless chain of association. Page’s paintings interrogate these associations and the cryptic meanings they produce. Concurrently, Page is making a black & white three screen film entitled »The Wolfman’s Magic Word«, which will be completed in 2009. * * * The Waiting Room - Karin Kihlberg &Reuben Henry - fondazione march e Lago S.p.ADate added: February 22nd, 2008Event: Art Waiting Room
fondazione march was created in Padova on the 29th of March, 2007 with the idea of being not only a place, but a plan for contemporary art, engaged in the promotion of independent artistic research and in the creation of a system that favours the development of free creativity from any conditioning and from the laws of the market. Art waiting room is a project in collaboration between fondazione march and Lago S.p.A., born to stimulate the international creativity and the interdisciplinary relations. It’s an example of union between art and economy, that operate in synergy in order to amplify the sense of both the territories. Art waiting room intends to change the concept of the waiting that precedes a professional meeting. This is the second appointment with Art waiting room showing a video called “The Waiting Room” by Karin Kihlberg & Reuben Henry, curated by Marinella Paderni. For the video, the artists built a film set of an institutional waiting room during a residency at The New Art Gallery Walsall, where members of the public were invited to star in a series of videos about the unavoidable circumstance of waiting. The relationships between the artists and the audiences who took part is now mostly hidden behind music, dubbed sound (from footsteps to horror effects), and elaborate editing, a process through which the finished product is far removed from the collaborative and live process in which it was made. * * * CITRIC |